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There are many ways to unlock parts of ourselves. For Nancy Moore, the key was a box of crayons. In 1998 she treated herself to a deluxe 96-pack of Crayolas. She opened the lid, and the scent transported her to the cool green linoleum floor of her childhood playroom, where she spent hours drawing. The smell and feel of those crayons, coupled with her reverence for nature, led her to paint her first chameleon, entitled "Self-Portrait," the idea being that women in particular change their colors often in order to fill many different roles. Moore composes the bits of prose that appear on some of her pieces, words that speak to the viewer about the fragility of both the natural environment and human relationships. Today her paintings hang in homes from California to Vermont.
A resident of Ridgefield and former in-house and now freelance editor for Yale University Press, Moore has always been a "stealth artist," having never studied art formally. In college, she took art courses as independent studies, wading her way cautiously from black-and-white pen and ink drawing into a sea of color under the guidance of Professor George Chaplin, a student of Josef Albers at Yale. Twenty years and two children later, she took the plunge into full-color exhibitionism at the Good News Café in Woodbury, CT, and hasn't looked back. Juggling her editing and painting careers, Moore has been looking for balance between the written word and the painted image. In 2006, she was invited to exhibit at Yale University's Environmental Sciences Center, part of the Peabody Museum. The result was a one-woman show that ran for one year, featuring an ever-shifting menagerie of reptiles, birds, insects, and other creatures in mixed media. She has shown in countless exhibits and garnered many awards and much praise for her work. The idea of transformation has been a key part of Moore's work since the beginning: transformation of materials into images, of words into art, of animal into landscape, of pattern into nature. Recently, she has been focusing more intensely on the morphing of human into animal, animal into human, playing with the ideas of shape-shifting and creation myth. She's only just beginning . . .
The materials used to create the paintings you see here are Crayola crayon, watercolor, colored pencil, and graphite. The crayons are applied within the barest pencil outline. When the watercolor is laid on top, a wax relief, or batik effect, is created. Layers of crayon, paint, and pencil are drawn and painted until a fabric of woven texture appears. In many cases, actual fabrics are the inspiration for the backgrounds in these pieces.
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Returns and Exchanges Policy: At Visual Impact our goal is your 100% satisfaction. If you receive a defective product please notify us within 7 days and we will replace the product or refund your purchase. We will send you a return shipping label for the defective product at our expense. If you receive a package that has been damaged in shipping, please notify us immediately so that we can initiate the proper claim. Contact us by phone at (203) 790-9650 or via email at firstname.lastname@example.org.
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All of our print products are produced using archival inks and substrates. As a Hahnemuhle Certified Print Studio we strive to maintain the high standards necessary for print quality and longevity
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